LGPedia - User contributions [en]

Chapter 9: New England Ho!

2008-11-21T19:08:37Z

86.7.174.100: /* Notes */

{{Blog
| name = {{PAGENAME}}
| number = 51
| image = RES51-MaggieInjectingHerself.jpg
| caption = This is the only way out.
| blogger = Hymn of None
| date = 20081115
| url = {{youtube|7YdyTfPNdyo}}<br>[http://www.imeem.com/lg15theresistance/video/rPFL374Z/hymn_of_none_new_england_bound_lg15_the_resistance_chapt/ imeem.com]<br>{{myspacetv|46549268}}<br>[http://www.hulu.com/watch/45157/lg15-the-resistance-new-england-ho#s-p1-so-i0 hulu.com]
| forumid =
| length = 13:49
| description = Our destination approaches. The time to enlist is now...
| location = [[LifesBlood Labs]], Boston
| tags = {{tags|amateur|boston|chapter|colourmusic|cult|england|eqal|event|extreme|fun|ho|lg15|live|lonelygirl15|new|nine|resistance}}


| execprod =
| coexecprod =
| assocprod =
| serprod =
| setprod =
| producers =
| assistprod =
| lineprod =
| supprod =
| directors =
| camera =
| vidplay =
| headwriter =
| story =
| editor =
| pm =
| pc =
| pa =
| pr =
| ic =
| animation =
| prodserv =
| music supervisor =
| song = Artist: Colourmusic<br>Album: "f, monday, orange, february, venus, lunatic, 1 or 13"
| cast = {{VidChar|Maggie}}
{{VidChar|Doctor{{!}}Doctors}}
{{VidChar|Security guard{{!}}Security guards}}
{{VidChar|Nadia|Cameos#Erica_Ibsen{{!}}Erica Ibsen}}
{{VidChar|Jonas}}
{{VidChar|Kate}}
{{VidChar|Gina}}
{{VidChar|Bree}}
{{VidChar|Daniel}}
{{VidChar|Charlie}}
{{VidChar|Steve}}
{{VidChar|Emma}}
{{VidChar|Dr. Hart}}
{{VidChar|Dr. William Porter}}
{{VidChar|Sarah}}
{{VidChar|Reed}}
{{VidChar|FBI Agent{{!}}FBI Agent 1}}
{{VidChar|FBI Agent{{!}}FBI Agent 2}}
{{VidChar|Dr. Madison}}
{{VidChar|Contact}}
{{VidChar|LG15: The Resistance cameos#Fans{{!}}Fans|LG15: The Resistance cameos#Fan Cameos{{!}}Themselves}}

| Previous = Boston Blitz (Recap)
| Next = No Safety In Numbers
| PreviousB =
| NextB =
| PreviousC =
| NextC =
| RES = yes
}}
It is also the video for the ninth chapter in the series.

==Transcript==
{{transcript incomplete}}

==Notes==
*On [[imeem]], the video is called ''New England Bound!''.
*Lidocaine (combined with small amounts of epinephrine) is commonly used as an anesethetic for minor surgery and only extremely high doses can cause adverse effects, eitherway Maggie's reaction is not characteristic of an overdosage.

Scouting For Boys

2008-09-07T22:32:31Z

86.7.174.100: /* Notes */

{{Blog
| name = {{PAGENAME}}
| number = 198
| image = KM198-LeeAsElvis.jpg
| caption = I'm their biggest fan!
| blogger = Charlie
| date = 20080309
| url = {{KM|243}}
| forumid = 610
| length = 9:34
| description = Today was the best day of Lee's life, and probably one of my worst!
| location = BBC Radio 1 Studio
| tags = {{tags|KateModern|LG15|lonelygirl15|Charlie|radio1|westwood|bbc|switch|grimshaw|scouting for girls|grimmy|elvis}}


| execprod = Miles Beckett and Greg Goodfried
| coexecprod = Joanna Shields and Amanda Goodfried
| serprod = Pete Gibbons
| lineprod = Kelly Brett
| pc = Claire Finbow
| ic = Jonathan Almond
| pr = Meryl Iona Edwards
| directors = Luke Hyams
| headwriter = Luke Hyams
| vidplay = Luke Hyams, Neil Mossey, and Lawrence Tallis
| story = Luke Hyams, Neil Mossey, and Lawrence Tallis
| editor = Yusuf Pirhasan
| song =

| cast =
{{VidChar|Charlie}}
{{VidChar|Lee}}
{{VidChar|KateModern cameos#Richard Perry{{!}}Doorman|KateModern cameos#Richard Perry{{!}}Richard Perry}}
{{VidChar|KateModern cameos#Megan Carver{{!}}Megan|KateModern cameos#Megan Carver{{!}}Megan Carver}}
{{VidChar|Nick Grimshaw|Nick Grimshaw}}
{{VidChar|Scouting for Girls|Scouting for Girls}}
{{VidChar|KateModern cameos#Tim Westwood{{!}}Tim Westwood|KateModern cameos#Tim Westwood{{!}}Tim Westwood}}
{{VidChar|KateModern cameos#DJ Dre{{!}}DJ Dre|KateModern cameos#DJ Dre{{!}}DJ Dre}}

| Previous = Temper Temper
| Next = The Ex Factor
| NextC = KateModern S2 Week 8 Recap

| KM = yes
}} The episode was incorrectly uploaded to Bebo as "Scouting for Boys".

==Transcript==
(''Charlie is in her car, driving to the BBC radio station''.)

'''Charlie:''' Oh my god, I am in so much trouble right now. Okay. Oh my god, left. I'm so late for work and I couldn't sleep last night because all the sleep that I had was littered with bloody nightmares. (''Brakes suddenly''.) Oh! Sorry! Oh, shit. (''Puts on the turn signal''.) Oh. Gotta do my makeup. Okay, thank you. Oh my gosh. (''Turns and the sun is in her face''.)

You know, that [[Temper Temper|whole thing]] with [[Steve]] the other night has really freaked me out. I can't even see where I'm driving. If he ever comes around to my place again, I'm gonna call the cops so fast he's not gonna know what hit him. You've got that, Steve? Never again! Okay? Thank god he doesn't know where I live now; I am intent on keeping it that way.

Okay, here I am. Shit, shit, shit. Park car. (''Gets out of the car''.) Shit-shit-shit-shit.

'''Lee:''' Charlie? Charlie!

(''Charlie turns around to see Lee approaching, dressed like Elvis with a home-made Scouting For Girls shirt''.)

'''Charlie:''' Um... Yeah, what the hell are you doing here? W-What are you wearing?

'''Lee:''' Oh, g- I- Oh, I made it meself. Do you like it?

'''Charlie:''' Yeah, it's beautiful. U-um, what are you doing here?

'''Lee:''' Oh, ju-just passing. Oh, what a coincidence!

'''Charlie:''' Yeah, yeah, sure you are. I really don't have time for this right now, Lee. No, seriously.

'''Lee:''' Yes, well, while I'm here, I may as well just give you a hand. What do you think? Okay, I'll come in.

'''Charlie:''' No, I've got it; really.

'''Doorman:''' Afternoon, I.D. please.

'''Charlie:''' Hi. Yep, sure. One sec.

'''Doorman:''' Thank you.

'''Charlie:''' Um... (''Pans down to the doorman's hand as she searches for her pass''.) Here you go.

'''Doorman:''' Thanks alot.

'''Charlie:''' Sorry. Thanks for that.

'''Doorman:''' That's fine. Thank you.

'''Charlie:''' Excellent. Thank you. Thanks.

'''Doorman:''' I.D.?

'''Lee:''' Um, I haven't- Uh, Ch-Charlie? Charlie!

'''Charlie:''' Um... Uh, ye-

'''Doorman:''' I need to see some I.D...

'''Charlie:''' Yeah, he's with me.

(''Cut to Lee and Charlie running down the stairs to the studio''.)

'''Lee:''' Yes!

(''They come up to the door for the BBC Radio 1 Live Lounge''.)

'''Lee:''' Oh!

'''Charlie:''' Come on, Lee.

'''Lee:''' It's the Live Lounge!

'''Charlie:''' Yeah, I know, just chill out.

'''Lee:''' We're in the Live Lounge!

'''Charlie:''' Just chill out. Just chill out, okay?

'''Lee:''' I'm relaxed. I'm relaxed. I know.

'''Megan:''' Charlie!

'''Charlie:''' Oh, Megan!

'''Megan:''' Charlie! Hey, how are you?

'''Charlie:''' Hi. Oh my god, I've been looking all over for you.

'''Megan:''' Yeah, we-we've literally - watch working - we've got ten minutes.

'''Charlie:''' Yeah-yeah-yeah, I know, know. I'm- I'm really sorry. Where are they?

'''Megan:''' Who?

'''Charlie:''' Uh, the band...

'''Megan:''' Um... You were supposed to be bringing them here.

'''Charlie:''' They just called me. They called me ten minutes ago and said the taxi'd already dropped them here.

'''Megan:''' Well they're not here, and I haven't had a phone call saying they're here.

'''Charlie:''' Shit! Shit. (''Charlie's mobile rings''.) Uh... Hang on, hang on. Uh, Lee, take this; my phone's ringing. (''Hands the camera to Lee''.) Oh no, no; it's them, it's them. (''Answers her phone''.) Hello? Hell- Where are you? Oh, are you serious? N-n-no, stay right there. Stay right there; I'm gonna come and get you.

'''Megan:''' What's wrong? What is it?

'''Charlie:''' Um... Yeah, 'kay. Okay, bye.

'''Megan:''' Where?

'''Charlie:''' That idiot cab driver. He's dropped them off at the wrong building.

'''Megan:''' What do you ''mean'' "wrong building"?

'''Charlie:''' I'm really sorry, Megan; we're just gonna go and get them. Come on, Lee, you have to come now.

'''Megan:''' Charlie, we literally have ten minutes!

'''Charlie:''' Oh, no-no-no. I'm onto it. I'm onto it.

'''Megan:''' Literally ten minutes, Charlie.

'''Charlie:''' Really, I'm onto it.

(''Charlie bumps into Nick Grimshaw on her way out''.)

'''Nick Grimshaw:''' Hi. Are they here?

'''Charlie:''' Hi.

'''Nick Grimshaw:''' We're ready to go on right now.

'''Charlie:''' Um, I'm just- Yeah, I'm just gonna get them now. I'm really, really sorry.

'''Nick Grimshaw:''' Okay. (''Looks at Lee''.) What is that? Who's he?

'''Charlie:''' Lee! Lee. I'm really sorry. I'm sorry about that. (''Drags Lee out of the studio''.) come- Come, Lee. Lee! I swear to god... Come with me. We need to-

'''Lee:''' This is the best day ever, Charlie!

'''Charlie:''' Quick! (''Runs through the front door''.)

'''Lee:''' Wa- Where're we going, Charlie?

'''Charlie:''' Hurry up!

'''Lee:''' We're gonna find the band! Yes! Yes! Yes!

'''Charlie:''' Just get in the car; just get in the car!

(''Cut to Lee and Charlie in the car. Lee is giggling with excitement''.)

'''Lee:''' Come on, this is the best day of my life, Charlie!

'''Charlie:''' Yeah, I know, I know, I know.

'''Lee:''' This is brilliant! Scouting For Girls!

'''Charlie:''' Yeah, okay, can you see them?

'''Lee:''' I can't see them anywhere.

'''Charlie:''' Hang on, do you think if I-?

'''Lee:''' I can't see them anywhere.

'''Charlie:''' I think my, um... (''Cut to another street''.) Oh my gosh, okay.

'''Lee:''' Look! Look! It's the band! It's them! (''Laughs''.) I can't believe this is happening to me! (''Lee hops out of the car and runs over to the band, standing on the corner''.) Hi! Hi, guys! (''Giggles as he hugs Roy and kisses him on the cheek''.)

'''Charlie:''' Lee, please... Lee, please! Stop it.

'''Lee:''' Brilliant! (''Hugs Peter and Greg''.) I love you guys!

'''Charlie:''' I'm really sorry, guys.

'''Lee:''' Look, you've got your hat on and everything. This is brilliant. I'm so happy!

'''Charlie:''' Guys, we've really, really got to- Lee, let go! Let go! Let go, let go. Okay, we've got to go.

'''Lee:''' Come in the car.

'''Charlie:''' Help them get in the car.

'''Roy:''' Where've you been?

'''Charlie:''' We came around the block for you guys.

'''Peter:''' We've been waiting forever.

'''Charlie:''' Yeah, yeah. Sorry.

'''Lee:''' (''Holding the rear door open for the band''.) In you go, Scouting For Girls. (''Giggles''.) Scouting For Girls in the car!

'''Charlie:''' Lee, just get in the car, please?

'''Lee:''' I will.

(''Cut to Lee getting in the car. Charlie hops in and starts driving''.)

'''Peter:''' I don't know where to go.

'''Lee:''' Oh, look at them! Sitting in the back of my car!

'''Charlie:''' Lee...

'''Lee:''' Hello, Scouting For Girls! Hello, Scouting For Girls! Hello, Scouting For Girls!

'''Scouting For Girls:''' Hi.

'''Charlie:''' Stop it! Chill out. Put the camera away, I told you... (''Cut to Lee giggling as he films himself''.) You're gonna freak them out!

'''Lee:''' Scout- I'm not gonna freak 'em out.

'''Charlie:''' I'm really sorry about him.

'''Lee:''' You like your fans, don't you? I read it all about you.

'''Greg:''' I love your wig.

'''Lee:''' You like my wig?

'''Roy:''' 'Cause Elvis ain't dead.

'''Lee:''' I like yours.

(''Everyone laughs''.)

'''Charlie:''' Come on, guys, please just try and shoehorn it in during your interview today. Please!

'''Roy:''' Do you ''really'' want us to say that we slept with Chris Moyles?

'''Charlie:''' Seriously, seriously. I d- I promise you. If you go on there and you say that you shagged him, he's gonna be playing your clip all next week.

'''Greg:''' Right.

'''Peter:''' No...

'''Charlie:''' Oh, come on, guys, please! It's cool, seriously.

'''Roy:''' I just don't think we should do it.

'''Charlie:''' Oh, come on, guys, come on!

'''Roy:''' It's just ridiculou- It's a lie!

'''Charlie:''' If there's one thing I know, it's that Chris Moyles loves people talking about him. He's gonna love it. He's gonna dig it, seriously.

'''Peter:''' I think we should have a vote on it. What do you think?

'''Charlie:''' Please! Vote for it. Come on. I think it's gonna be great.

'''Greg:''' Alright, hands up if you want to say it.

'''Charlie:''' My hand's up.

'''Greg:''' And now let's go for all those ''not'' in favor. (''Everyone else puts their hands up''.)

'''Charlie:''' Oh, come on, guys, please!

'''Greg:''' It's not gonna happen. He's gonna see right through it.

'''Charlie:''' No he's not! Seriously, please. It's gonna be great!

'''Peter:''' I slept with Chris Moyles.

'''Greg:''' I slept with Chris Moyles.

'''Roy:''' I slept with Chris Moyles.

'''Lee:''' Come on, quick! Quick, Charlie! Pull in, pull in!

(''Charlie guns it to catch the parking spot and everyone in the car yells. Cut to Lee getting out of the car''.)

'''Charlie:''' Save the boys.

(''The band unloads from the car''.)

'''Lee:''' Come on, boys, quick, quick. Let's get in.

'''Charlie:''' (''Herding the band into the building''.) Go-go-go-go! Yes.

(''They run past the doorman, who makes faint attempts for I.D.s''.)

'''Lee:''' That way; down! (''They all run down the stairs toward the studio''.) Go! Go, Scouting For Girls!

'''Charlie:''' Yeah, go, guys. It's just in here. Yeah.

(''The band runs into the closed studio door and laughs. They all go into the studio''.)

'''Lee:''' I can't believe we're here! Oh my god!

'''Charlie:''' Oh, yeah; so sorry.

'''Megan:''' It's okay. Hey, guys, how are you? Are you all right?

'''Scouting For Girls:''' Just about; yeah.

'''Nick Grimshaw:''' Hello, I'm Grimmy. How are you? (''Shakes hands with the band members''.) Hi!

'''Lee:''' Yeah, hi, Grimmy!

'''Nick Grimshaw:''' Who are you?

'''Lee:''' I'm Lee.

'''Nick Grimshaw:''' Oh, hi, Lee, how are you?

'''Lee:''' Good, good! (''Giggles, shaking Nick's hand''.)

'''Nick Grimshaw:''' Goodbye.

'''Greg:''' Let go of his hand.

'''Nick Grimshaw:''' Come on in.

'''Charlie:''' I'm just gonna duck to the bathroom, so I'll meet you guys- Yeah, just give me a sec.

'''Roy:''' We don't know who he is.

'''Nick Grimshaw:''' Okay. I was gonna say.

'''Charlie:''' You guys go in. Okay.

'''Lee:''' Don't worry, Charlie; I'll handle it all. I'm with the band.

'''Charlie:''' Okay. (''Lee follows everyone else into the studio''.) God. I hope this is okay. I'm busting. (''Cut to the bathroom. Westwood comes out of the ladies' toilet''.) Oh, Westwood! Hey!

'''Westwood:''' Hey! Why you filming? Easy, baby!

'''Charlie:''' I'm sorry!

'''Westwood:''' You wanna hang out with the big dog? Ladies are that way. (''Points to the right''.)

'''Charlie:''' (''Going into the bathroom''.) Big dog! (''Laughs''.) Quick. (''Cut to Charlie washing her hands''.) Now to save the day. (''Tries to open the door, to find it's locked''.) You kidding me? Oh no! This is a joke. This is- Really funny joke. Hello? Lee! Megan! Oh! I can't believe I'm stuck in the toilet! Don't even laugh; it's so not funny right now. I'm so fired. (''Makes a face''.) And it smells like Westwood dropped a bomb in here. (''Fans the air''.) That is so disgusting. (''Covers her nose with her scarf''.) I can't breathe! (''Bangs on the door''.) Lee! Anyone! Hello?

(''Cut to "WestWood Cam". Westwood and DJ Dre are in the studio, getting ready for their show. Dre taps Westwood on the shoulder and points at Lee, who is also in the studio''.)

'''Lee:''' Hiya.

'''Westwood:''' Oh, yo, son; easy, easy, please, son. You know, you're a funny looking dude. You're next door; that's the Switch studio for sound. This is Westwood. You're in the wrong building right now, dog! We don't have funny dos like that.

'''Lee:''' Oh, sorry. I didn't mean to-

'''Westwood:''' Oh, easy, easy with the funny voice as well. Please, man. This is- This is hip-hop in here, baby. We're blasting off to cri- Stop-stop looking at me funny like that!

'''Lee:''' I'm not!

'''Westwood:''' You're a funny dude, son. Where's the accent from, man? I'm not really feeling this.

'''Lee:''' You talk about rap music.

'''Westwood:''' This is- Yo, easy. We don't really want to know about that. It's all extra!

'''Lee:''' Come on, I like-

'''Westwood:''' Plus you're wearing the funny Elvis look. Be respectful. B.I.G. passed. Eleven years deep. He was my friend, dog. We feel a little- You know, you should be wearing a- a black arm band. Show some respect!

'''Lee:''' Respect-

'''Westwood:''' Scouting for who? Girls.

'''Lee:''' I can do a rap for him.

'''Westwood:''' Fall back!

'''Lee:''' Do you know John Barnes? John Barnes is my favorite rapper.

'''Westwood:''' You know about football.

'''Dre:''' Yeah, he's a clown, though. Come on, man.

'''Lee:''' No, he's a good- he's a good rapper.

'''Dre:''' He's a legend, but he ain't no rapper. No.

'''Lee:''' You've got to hold and give; do it at the right time.

'''Westwood:''' No, he's a baller, understand? He's a baller!

'''Lee:''' You can be slow or fast, you've got to get to the line. They can hit you and hurt you, in defense or attack; there's only one way to beat them, you've got to get 'round the back. Catch me if you can, 'cause I'm an England man.

(''Westwood looks confusedly at the camera''.)

'''Dre:''' What the?

'''Lee:''' What you're lookin' at is the master plan! We ain't no hooligans, this ain't no football song; with three lions on our chest you know we can't go wrong. That's a goo- It's a good rap! Have you ever had John on your show? I might int- I'm from Liverpool, so I could probably, like, sort out a meeting. Maybe I could get him your aut-autograph, for you.

'''Westwood:''' It's a bust, baby. Come on, man. Next door, baby. Switch, that's where you are.

'''Lee:''' Thanks. You're nice guys.

'''Westwood:''' Come on. Come on, let's keep it moving around here.

'''Lee:''' I'm going, yeah.

'''Westwood:''' Come on. Come on, man.

'''Lee:''' Hey.

'''Westwood:''' Put some Brylcreem on, baby.

'''Lee:''' I'll give you a call.

'''Westwood:''' Straighten that quick. Come on.

'''Lee:''' I'll give you a call.

'''Westwood:''' Fix those sunglasses, dog. Come on.

'''Lee:''' Bye.

'''Westwood:''' It's hip-hop in here, baby.

'''Lee:''' Yeah.

'''Westwood:''' Bullback. Easy.

'''Lee:''' Easy! (''Giggles as he leaves''.)

(''Cut back to Charlie in the bathroom''.)

'''Charlie:''' Oh my god. I can't believe I've been locked in here for half an hour! Doesn't anyone in the BBC go to the bathroom? (''Runs to the door as the handle is being shaken''.) Hello? (''Lee opens the door''.) Oh my god, Lee! I don't think I've ever been so happy to see you!

'''Lee:''' What are you doing in here?

'''Charlie:''' I'll explain later. Have they gone on? Have they gone on?

'''Lee:''' Yeah. Yeah. It was a-mazing! And the BBC even filmed me!

'''Charlie:''' I-I've gotta go in and sort this out.

'''Lee:''' You can't; it's finished.

(''Charlie pans the camera to film herself in the mirror of the bathroom''.)

'''Charlie:''' I can't believe I stuffed up so badly!

'''Lee:''' No, no, you didn't. It was fine. I sorted it.

'''Charlie:''' What'd you do?

'''Lee:''' No, no, nothing. It was good!

'''Charlie:''' Really?

'''Lee:''' Yeah-yeah. And the producer thanked me for reminding them that it was the anniversary of the death of The Notorious B.F.G.

'''Charlie:''' Um... I didn't think you were a fan of hip-hop, Lee.

'''Lee:''' Well, no, not really, but I was talking to this really tall guy outside who had this cool accent, and he kept going on about his dog. But then he told me that, so I thought I'd sort of pass it on.

'''Charlie:''' Okay. W-

'''Lee:''' Charlie, what's that smell?

'''Charlie:''' Yeah, I know.

'''Lee:''' Yeah.

'''Charlie:''' Let's- Let's get out of here, Lee.

==Notes==
*Lee is dressed as Elvis in homage to Scouting For Girls' song, ''Elvis Ain't Dead'', which is later acknowledged by the band.
*{{wikipedia|Chris_Moyles|Chris Moyles}} is a DJ at BBC Radio 1, and "I slept with Chris Moyles last night" is a staple feature of his show, {{wikipedia|The_Chris_Moyles_Show|The Chris Moyles Show}}.
*{{wikipedia|The_Notorious_B.I.G.|The Notorious B.I.G.}} was a famous American rapper, who was gunned down in a drive-by-shooting on March 9, 1997.
*{{wikipedia|John_Barnes_(footballer)|John Barnes}} was a footballer for England from 1983 to 1995. The rap Lee does in the video is an almost word-for-word replica of Barnes's rap in "{{wikipedia|World_In_Motion|World in Motion}}".
*The radio DJ that Lee talks to is {{wikipedia|Tim_Westwood|Tim Westwood}} a DJ in the UK and also the presenter of MTV UK's Pimp my ride. A catchpharse of his is "Let's drop a bomb."

Operation Doorstep

2008-09-05T14:21:12Z

86.7.174.100: Watcher symbol? Thats a shop sign you clown.

{{Blog
| name = {{PAGENAME}}
| number = 128
| image = KM0128-CharlieandPatricia.jpg
| caption = Work with me Charlie
| blogger = Charlie
| date = 20071130
| url = {{KM|153}}
| forumid = 428
| length = 3:06
| description = Operation Doorstep didn't go quite according to plan. Does anything ever work out how I expected on a Friday?
| location = Bethnal Green
| tags = {{tags|KateModern|LG15|lonelygirl15|Charlie}}


| execprod = Miles Beckett and Greg Goodfried
| coexecprod = Joanna Shields and Amanda Goodfried
| assocprod = Cristy Coors Beasley
| serprod = Pete Gibbons
| lineprod = Kelly Brett
| pc = Claire Finbow
| ic = Jonathan Almond
| pr = Meryl Iona Edwards
| directors = Gavin Rowe{{!}}Gavin Rowe (BigBalls Films)
| headwriter = Luke Hyams
| vidplay = Luke Hyams
| story = Miles Beckett, Luke Hyams, and Hazel Grian
| editor = Yusuf Pirhasan
| song =

| cast =
{{VidChar|Charlie}}
{{VidChar|Julia}}
{{VidChar|Patricia|T'Nia Miller}}
{{VidChar|Dave|Gavin Rowe}}

| Previous = Overtime
| Next = The Confession
| NextC = KateModern Week 19 Recap

| KM = yes
}}
==Transcript==
(''Julia and Charlie are outside, looking for Patricia''.)

'''Julia:''' (''Sighs''.) Shouldn't we just ignore her?

'''Charlie:''' Look, we need to fight fire with fire. Come on.

'''Julia:''' Well, let's just try asking her nicely to leave us alone.

'''Charlie:''' Look, only if this plan doesn't work. Look, I want my normal life back, and if that means we have to intrude on her's, well, then that's fine by me.

(''Julia and Charlie walk to the Filmhouse, looking for Patricia''.)

'''Julia:''' Babe, are you sure this is the right place? Maybe they've gone home.

'''Charlie:''' Are you ready?

'''Julia:''' Yeah. (''Grabs the camera from Charlie''.) Where are they?

'''Charlie:''' (''Spots Patricia and runs over''.) It's them! Patricia! Oi! Patricia! 'Scuse me, can I get a comment off ''you'', Patricia, about what it's like to be on the receiving end of a doorstepping?

'''Patricia:''' Well, um... (''Smiles and looks around nervously''.)

'''Charlie:''' And what about Mrs. Cameraman? Does she know about the affair you're having with Mr. Cameraman?

(''Patricia and Dave start laughing''.)

'''Patricia:''' Mrs. Cameraman? I hate to disappoint, but Dave and I are both gay.

'''Julia:''' Oh!

'''Patricia:''' I'm really glad you came to see us, actually, Charlie, we were just about to call you.

'''Charlie:''' I told you not to.

'''Patricia:''' Yeah, well, we had a major breakthrough; it's important. We've managed to find the man claiming to be [[Dr. William Griffin]].

'''Charlie:''' Who?

'''Patricia:''' Kate's detruded specialist? Dr. Weirdo?

'''Charlie:''' That's not ringing any bells.

'''Patricia:''' Well, he's alive. And he's needing to speak to you.

'''Charlie:''' Back off and leave us alone. This is ''our'' lives, this isn't just another disposable story!

'''Patricia:''' What is your objection to our documentary? I mean, you've practically posted everything - every detail of your life - all over the internet. (''Gestures at Julia''.) I mean, she's filming right now, for heaven's sakes. Look, let me into your world with our lens, and help make sense of everything that's happened to you.

'''Charlie:''' I don't want to be on TV, and I don't think I trust you that much, either!

(''Charlie begins walking away''.)

'''Patricia:''' What about [[Kate]], Charlie?

'''Charlie:''' What about her?

'''Patricia:''' If [[the Order]] were real, and she's in danger, then maybe your cooperation with my documentary will- will help bring awareness of her plight.

'''Charlie:''' Look, I don't want to be on TV, and if I do see myself on it, I'm gonna sue. Leave me alone.

'''Patricia:''' All your videos do is ask questions, Charlie. Questions! Our documentary will find the answers. (''Charlie begins to walk away again''.) Answers, Charlie; I know how bad you want them! Think about it!

(''Julia continues to walk away, while Charlie stops. She looks back at Patricia and Dave, who begin to follow''.)

'''Julia:''' Charlie, what are you doing? Charlie, come on, let's go!

(''Patricia and Dave catch up with Charlie''.)

'''Charlie:''' (''Sighs''.) Look, Dr. Griffin's a lot more dangerous than he looks.

'''Julia:''' Charlie, what are you doing?

'''Patricia:''' When they abducted Kate, all of your lives changed. Look, he gave up his life in the name of fighting the Order. Don't you want to find out why?

(''Charlie's phone rings''.)

'''Charlie:''' (''Answering the phone''.) Hey, [[Gavin|Gav]]. Yeah, five tins of black paint? Where am I gonna get that at this time of night? (''Julia zooms in on Patricia talking into the camera''.) Gav, they don't sell paint at petrol stations! What do you need five tins of black paint for, anyway? Gav? (''Charlie gets off the phone and sighs''.) What the hell?

'''Patricia:''' Well?

'''Charlie:''' Well, you- You promise we're gonna be safe?

'''Patricia:''' I guarantee it.

'''Charlie:''' And you'll give us... a copy of all the footage you get?

'''Patricia:''' If that's what it takes, yes.

'''Charlie:''' (''Sighs''.) Look, I'll meet him. At the first sign of weirdness, I'm out of there; the documentary's off.

'''Julia:''' Charlie! What are you doing?

'''Patricia:''' You're doing the right thing, Charlie.

'''Charlie:''' (''Sighs''.) Look, I just want my normal life back. She's right; I just need answers. It's- it's hard to put something behind you that you just don't understand.

'''Julia:''' A normal life, eh?

'''Charlie:''' (''Sighs''.) Look, I'm gonna need that. (''Takes the camera from Julia''.)

==Notes==

Abstract Heart

2008-09-04T23:08:38Z

86.7.174.100: Stupid speculation

{{Blog
| name = {{PAGENAME}}
| number = 101
| image = KM00101_KateAbstract.jpg
| caption = Her work. Her heart.
| blogger = Kate
| date = 20071105
| url = {{KM|124}}
| forumid = 382
| length = 1:59
| description = Some new work...
| location = Unnamed Order location
| tags = {{tags|KateModern|LG15|lonelygirl15|Kate|art}}


| execprod = Miles Beckett and Greg Goodfried
| coexecprod = Joanna Shields and Amanda Goodfried
| assocprod = Cristy Coors Beasley
| serprod = Pete Gibbons
| lineprod = Kelly Brett
| pc = Claire Finbow
| ic = Jonathan Almond
| pr = Meryl Iona Edwards
| directors = Gavin Rowe{{!}}Gavin Rowe (BigBalls Films)
| headwriter = Luke Hyams
| vidplay = Hazel Grian
| story = Miles Beckett, Luke Hyams, and Hazel Grian
| editor = Yusuf Pirhasan
| song = [http://www.magnatune.com/artists/albums/bledsoe-updown/ Glen Bledsoe - Tango Cacafuego]
[http://www.magnatune.com/artists/albums/bledsoe-octopants/ Glen Bledsoe - Man Eats 'Taters]

[http://www.magnatune.com/artists/albums/williams-dusty/ John Williams - Sunbreak]
| cast = {{VidChar|Kate}}

| Previous = The Viral
| Next = Flatmate
| PreviousB = Goodbye Devon
| NextB = Kate Positive
| PreviousC = KateModern Week 15 Recap

| KM = yes
}}
==Transcript==
''Three mannequin heads are on a on a table. They move to form a circle and switch places. One by one they move to the top of a shelf, and Kate appears on the table in a black dress. An operating room lamp moves over to her and turns on with a screeching noise. Kate's dress changes multiple times and then she is covered by a white blanket and her figure disappears from the table.''

''A kaleidoscopic image of a door appears. The image changes to a close-up, showing a lock, a doorknob, and the number "405". Kate appears looking into a wardrobe wearing a black dress and black jacket. Her jacket falls and begins to climb up her arms. The operating room light turns on, blinding the camera. Kate is at a typewriter. Kate in a black dress is arguing with Kate in a pink dress. Kate in the black dress turns toward the camera and argues more. Kate presses te return key on the typewriter. And a flash of Kate in the black dress and then her feet is shown. Kate in the black dress continues to argue with Kate in the pink dress. She then argues with Kate in a white dress, who is trying to suppress her laughter. Kate in the pink dress tries to reason with Kate in the black dress, while Kate in the white dress bursts out laughing. Kate in the pink dress begins to cry while talking with Kate in the white dress. Kate in the white dress rolls her eyes. Kate in the black dress begins arguing with Kate in the pink dress and then disappears.''

''A shot of a cell phone is shown. Kate in the black dress is holding a glass of red wine. This is shown to be depicted on the cell phone's screen. She drinks the wine as a back light is on her. Kate in the white dress appears in the scene as the other Kate continues to drink. Kate in the white dress runs across the room, and the other Kate seems un-phased. Kate in the white dress then chugs a glass of red wine and puts it down on the table, while Kate in the black dress continues to drink.''

''Kate's legs are shown on the cell phone's screen, and Kate in the black dress sits up on the table under the operating room light. Three Kates are shown in the scene: Kate in a black dress, on the table, Kate in a pink dress, in a chair, and Kate in a polka-dot dress, in another chair. Kate in the black dress leans backward and turns to lay down on the table. Kate in the pink dress seems to be going crazy, while Kate in the polka-dot dress appears bored. Kate in the black dress looks at the camera and then disappears. Kate types on the typewriter. A flash of an old image is shown. Kate's fingers type wildly at the keys. The typewriter's back showing "Imperial Typewriter Co. Ltd." is shown. A telephone appears, mixing with flashes of the typewriter. Flashes of a war-like image appear within a book. An image of an old man is shown. Kate continues to type on the typewriter. Images of multiple men appear, followed by the text "Sergeant Parker".''

''Kate in the white dress is seen filming out of a window. Kate in the pink dress is filming around the room, and catches Kate in the black dress sitting in a chair. Kate in the black dress is seen in the chair from outside. Kate in the pink dress continues to film while Kate in the black dress appears concerned. A signboard is shown, with a statue in front of it. The camera descends a flight of stairs.''

''At the bottom of the stairs, Kate in the polka-dot dress is seen twirling in front of a door labeled "Goods Only". An "Amusements" sign is shown. Kate in the white dress talks to the camera and then looks over her shoulder at a mannequin in a chair. Kate in the pink dress is shown ascending the stairs behind the mannequin, filming. Kate in the white dress stands and talks to the camera again. Kate in the pink dress walks toward Kate in the white dress as she walks away from the camera. Kate in the pink dress then films the camera.''

''Kate in the black dress looks curiously at the camera. A bright flash is shown, transitioning to ceiling lights. The mannequin is shown sitting near Kate in the white dress, who appears frightened. Kate in the white dress then walks away and Kate in a blue dress begins painting on the floor. Kate in the white dress and Kate in the black dress whisper in the mannequin's ears as the other Kate paints. Flashes of lights. Kate is shown painting and then a shot of a building is shown. Kate in the blue dress paints a heart with a "T", "K", "A", and "E", with numerous hand prints surrounding it. She walks around the painting making changes to it with her hands and feet, as well as signing it "Genevieve". Another shot of the building is shown, followed by more lights. Kate in the pink dress films. A flash of skin is shown.''

==Notes==
*This is Kate's first blog since September 29, 2007. 28 Webisodes have been posted since her last one (Goodbye, Devon), and this one.

*The different versions of Kate in this video could represent the different aspects of her personality, which are at conflict with each other.

*The part of the video where she's laying on the table could be reminiscent of Bree during the Ceremony.

Why?

2008-09-04T20:39:51Z

86.7.174.100: /* Transcript */

{{Blog
| name = {{PAGENAME}}
| number = 73
| image = KM0073-Charlie-Looking-Sad.jpg
| caption = Now I'll have to pay the flat rent by myself... :(
| blogger = Charlie
| date = 20071001
| url = {{KM|85}}
| forumid = 308
| length = 3:40
| description = Kate if you see this I want you to call me immediately. If anyone else sees Kate tell her to get in touch with me. I'm really worried.

The music in this vid is 'Permanent' by Arthur Yoria.
| location = [[Kate and Charlie's flat]], [[KateModern minor locations#Millennium Bridge|Millennium Bridge]]
| tags = {{tags|KateModern|LG15|lonelygirl15|Charlie}}


| execprod = Miles Beckett and Greg Goodfried
| coexecprod = Joanna Shields and Amanda Goodfried
| assocprod = Cristy Coors Beasley
| serprod = Pete Gibbons
| lineprod = Kelly Brett
| pc = Claire Finbow
| pr = Amy Barnes
| ic = Jonathan Almond
| directors = Gavin Rowe{{!}}Gavin Rowe (BigBalls Films)
| headwriter = Luke Hyams
| vidplay = Hazel Grian
| story = Miles Beckett, Luke Hyams, and Hazel Grian
| editor = Yusuf Pirhasan
| song = 'Permanent' by Arthur Yoria
| cast = {{VidChar|Charlie}}
{{VidChar|Kate}}
{{VidChar|Michelle Clore|Valerie Cutko}}
{{VidChar|Kate's Watcher|Pete Gibbons}}

| Previous = Goodbye Devon
| Next = A Quiet Night Out

| PreviousB = Devon Days
| NextB =

| KM = yes
}}
==Transcript==

(''Charlie is sitting at a table. Her face is wet with tears.'')

'''Charlie:''' I don't really understand what happened today. And I feel like if I talk about it I can make some more sense out of it. (''she sniffs'') We got home from [[Devon]] and just started unpacking.

(''Cut to Charlie rifling through her wardrobe in her bedroom and generally unpacking.'')

'''Charlie:''' (''to herself.'') Yuck. I can't wear that.

'''Kate:''' (''looking through a pile of clothes etc on Charlie's bed'') I thought you said you'd unpacked?

'''Charlie:''' I have!

'''Kate:''' You call that unpacking? (''Kate picks up a sandwich wrapped in cling film from Charlie's bed.'') Charlie... that is gross. Please don't tell me you were saving that for the journey home.

(''Charlie laughs. Kate receives a text message on her phone. She looks serious.'')

'''Charlie:''' Is that [[Tariq]]? (''no reply from Kate'') Don't tell me it's Luke from [[The Days|the band]], that little horn dog?

'''Kate:''' No it's...

(''Kate leaves the room and closes the door behind her. Charlie follows Kate.'')

'''Charlie:''' Hey Kate where are you going? Can I come?

(''Kate leaves through the front door of the flat and closes it behind her.'')

'''Charlie:''' Sure...

(''Cut back to a sad looking Charlie, sitting at the table.'')

'''Charlie:''' I know that following your friends with a camera isn't a normal thing to do, but this is Kate we're talking about. (''she sniffs'') She'd been acting really weird and I was worried about her. (''She sniffs again and rests her chin on her hands, looking away from the camera.'') So I followed her.

(''Cut to an aeroplane flying in the sky with the Oxo tower block in shot too. The camera then pans down and shows that they are following Kate down by the Thames alongside the Tate Modern. Charlie turns the camera to face herself.'')

'''Charlie:''' She's probably just meeting up with Tariq and didn't want to say anything you know? Just in case it didn't go well and she was shy. Where is she though?

(''Camera pans over a bridge. St Paul's cathedral can be seen. The camera picks up Kate walking across the bridge and follows her.'')

'''Charlie:''' Is that her? Who are you meeting?

(''Kate approaches [[Michelle Clore]] on the bridge.'')

'''Charlie:''' Oh my God, it's Michelle Clore the artist. Cool! I think...?

(''Kate and Michelle begin to talk, but their conversation can not be heard by the camera.'')

'''Charlie:''' What is she saying to Kate? She doesn't look all right at all. I'm going to go up there and see. What the hell is going on here?

(''Camera cuts to Charlie's fluorescent pink clad legs as she walks up on to the bridge to see Kate. As she approaches Kate is pacing back and forth with her hands either side of her face as Michelle speaks to her.'')

'''Charlie:''' What are they talking about? I wonder why Kate didn't tell me she was coming here, I don't think she looks okay at all.

(''As Charlie approaches Kate begins to run off.'')

'''Charlie:''' Kate... Kate!

(''There is a shot of Michelle Clore before Charlie continues running after Kate and calling her name.'')

(''Cut back to a sad Charlie, sitting at the table again. She is playing with her hair.'')

'''Charlie:''' I should have said something to that Clore woman. But at that moment all I could think about was Kate. And she was running so fast, I didn't catch up to her until we got to our street.

(''Cut to Charlie running up a road towards Kate. Kate is walking towards a man in a black suit standing next to a large black car. There is a beep and the car's lights flash as the man in the black suit unlocks the car.'')

'''Charlie:''' Kate! Kate, what's the matter? Kate!

(''Kate spins round to face Charlie. She seems angry.'')

'''Kate:''' My name's not Kate. You've got no idea who I am.

(''Kate pushes Charlie to the ground. From this angle you hear the car door slam closed and see it pull away leaving Charlie lying on the pavement.'')

(''Cut back to sad Charlie, sitting at the table again.'')

'''Charlie:''' I don't understand what's happened to her or where she's been taken. I just don't understand why!

(''Charlie reaches up and turns off the camera.'')

==Notes==
* The bridge that Kate meets Michelle Clore on is the Millennium Footbridge which crosses the River Thames, linking Bankside with the City. At the northern end of the bridge is St Paul's Cathedral, as seen in the video, and at the southern end is the Tate Modern Gallery, the art gallery from which the Kate Modern series took its name.
* The man who takes [[Kate]] in the van appears to be a [[Watcher]].
* [[Charlie]] has a [[Bree's injections|bandage]] on her arm, most likely from scraping it on the pavement after Kate pushed her to the ground.
* This video is reminiscent of when Bree agreed to go away with Lucy.

User talk:Shiori/Portal:LG15: The Resistance

2008-09-02T23:05:13Z

86.7.174.100: /* Comment */

==Comment==
The blue links after "Watch at" are not readable on my computer.--[[User:Modelmotion|modelmotion]] 15:56, 31 August 2008 (CDT)

THE BLACK AND DIRTY GREY GREENS ARE MAKING MY EYES BLEED GOD DAMMIT. [[User:86.7.174.100|86.7.174.100]] 18:05, 2 September 2008 (CDT)

Office space

2008-09-02T19:48:43Z

86.7.174.100: Obvious reference to a film? WTF "Office Space" is a term.

{{Blog
| name = {{PAGENAME}}
| number = 18
| image = 0018-KM-Gavin-Tie.jpg
| caption = Last I checked, Bill Gates wasn't one of my Bebo friends.
| blogger = Tariq
| date = 20070809
| url = {{KM|29}}
| forumid = 117
| length = 2:14
| description = A day in the life of me. Things are steaming ahead in our new office but elsewhere... Well, im still working on that..
| location = [[Tariq and Gavin's office]]
| tags = {{tags|KateModern|LG15|lonelygirl15|Bree|Tariq|Gavin}}


| execprod = Miles Beckett and Greg Goodfried
| coexecprod = Joanna Shields and Amanda Goodfried
| assocprod = Cristy Coors Beasley
| serprod = Pete Gibbons
| pm = Kelly Brett
| pc = Claire Finbow
| directors = Gavin Rowe{{!}}Gavin Rowe (BigBalls Films)
| headwriter = Miles Beckett
| vidplay = Luke Hyams
| story = Miles Beckett, Luke Hyams, Hazel Grian and Tom Wright
| editor = Sam Rowland
| prodserv = Sniffer Ltd.
| song =
| cast = {{VidChar|Tariq}}
{{VidChar|Gavin}}
{{VidChar|Kate}}

| Previous = A friend indeed
| Next = Ninja Sangas (A Charlie Animation)

| PreviousB = Welcome to the roof
| NextB = Walk of Shame

| KM = yes
}} It was named "Office Space" when posted to YouTube and the LG15 site.

== Transcript==
(''[[Tariq]] is sitting in front of his laptop with a large calendar on the wall.'')

'''Tariq:''' In the last few weeks, Gavin's been posting videos showing everyone our business developments (''looks over at Gavin'') or lack of them.

'''Gavin:''' (''chuckles'') Yeah.

'''Tariq:''' So I thought I'd post a video today because things are finally moving forward. We got an office! (''Slams fist down onto his desk causing the camera to fall down. Shot cuts to Gavin at his desk with his tie around his forehead typing furiously on his laptop.'') And Gavin's been working like a goat. (''Gavin bleets and Tariq zooms on a box full of empty Red Bull and Sprite 3G cans.'') We both have.

(''Shot of Gavins laptop screen.'')

'''Gavin:''' Dude, dude! (''takes a biro out of his mouth'') What you doing? Have a think will ya?

'''Tariq:''' What?

'''Gavin:''' Well we don't want anyone to see the... you know. What-what if...Bill Gates is watching?

'''Tariq:''' (''laughs'') the last time I checked, Bill Gates wasn't one of my [[Bebo]] friends.

(''Shot of the whole room with Gavin and Tariq sitting at a desk.'')

'''Gavin:''' (''adjusting his tie bandana'') You left it on.

'''Tariq:''' I know, I'm doing a time lapse of our day at work.

(''Gavin gets up and starts doing star jumps.'')

'''Tariq:''' (''laughs'') What're you doing?

'''Gavin:''' (''sits back down'') Thats gonna look well funny in a time lapse innit'.

(''Fast motion footage of the pair. Slows back down as Gavin hits Tariq with his tie then speeds up continues.'')

'''Gavin:''' So, are you still seeing, [[Kate]] tonight?

'''Tariq:''' Yeah.

(''Fast motion footage of Gavin and Tariq play fighting with large boxes on their heads.'')

'''Gavin:''' Listen, I've been thinking about all the extra hours and-er and nights that you've been putting in and I'm just thinking, why don't you take the rest of the afternoon off? (''more fast motion footage'') Just seems fair.

'''Tariq:''' This is about the party isn't it? You want me to be on good terms with Kate sooo you can come to [[Charlie]]'s party.

'''Gavin:''' (''Shakes head'') No. Who-who's party?

'''Tariq:''' (''laughs'') Don't pull your innocent face with me mate. You've been perving all over Charlie's Bebo page for a week.

'''Gavin:''' Dude, you can't say that. (''Gets up and walks towards the camera.'') I'm gonna have to rewind the tape now. You've killed me.

(''The footage plays backwards then a shot of Kate sitting at a table outside a restaurant. Tariq then turns the camera upon himself.'')

'''Tariq:''' Wish me luck. (''Another shot of Kate is shown then it cuts to a shot of Tariq sitting at a table alone.'') So much for an afternoon together. She had to go and meet ''[[Steve]]''. I-I don't have any answers as to what's happening to Kate and-and neither does this Steve guy! He's just telling her what she wants to here so he can put a move on her. This Steve guy's just full of shit. (''picks up his phone'') What? I'll deal with her later. I dunno what to think anymore. I don't even know if she went missing the other day. It's just one thing after another and I just don't understand why she seems to have SO much trouble facing the truth. (''sighs''.)

== Notes ==

Party Crashers

2008-01-06T15:30:54Z

86.7.174.100:

{{Blog
| name = {{PAGENAME}}
| number = 388/2x132
| image = 0388-SarahJennieEmma.JPG
| caption = Jonas' "plan" involves guns and kidnapping...again.
| blogger = Daniel
| date = January 4, 2008
| url = {{lg15|470}}
| forumid = 15583
| length = 2:04
| description = Jonas, Emma, and I headed south yesterday to meet up with Jennie. She led us to...
| location =
| tags = {{tags|lonelygirl15|bree|danielbeast|daniel|jonastko|jonas|lg15}}



| execprod =
| coexecprod =
| assocprod =
| serprod =
| producers =
| lineprod =
| supprod =
| directors =
| camera =
| vidplay =
| headwriter =
| story =
| editor =
| pm =
| ps =
| pa =
| pr =
| ipa =
| animation =
| prodserv =
| music supervisor =

| song =
| cast = {{VidChar|Daniel}}
{{VidChar|Emma}}
{{VidChar|Jonas}}
{{VidChar|Jennie|Melanie Merkosky}}
{{VidChar|Sarah}}
{{VidChar|Carl}}
{{VidChar|Chris|Cameos#Steve Shaheen{{!}}Steve Shaheen}}

| Previous = Being Stalked
| Next =

| PreviousB = Tired of B*tches
| NextB =
| PreviousC =
| NextC =
}}
{{EpHeader|388}}

==Transcript==
(''Footsteps are heard, Hymn of One song plays, and then a crescent moon is seen in the night sky.'')

'''Jennie:''' It's right here.

(''Cut to inside a tent where candles are set up. Hymn of One music plays. Chris, Carl, and Sarah are seen inside the tent.'')

'''Chris:''' (''holding a book and standing up'') So, it's one of my favorites. A copy of Rupert Van Heldon's new classic, ''Finding the One''.

(''Chris hands the book to Sarah and the other people in the tent clap.'')

'''Carl:''' Well, I never thought I'd see the day when I'd say, "Sarah, welcome to my family." But, Sarah now knows, she's always been in my family.

(''Jonas moves into the tent holding a gun.'')

'''Jonas:''' Nobody [[Four-letter words|fucking]] move! Drop the cups, drop them! (''fires his gun into the air'')

'''Jennie:''' Come on!

'''Sarah:''' I'm not coming with you! What are you doing?

'''Daniel:''' Sarah, give me your hand.

'''Jonas:''' Back up!

(''Daniel makes his way to Sarah, grabs her, and starts pulling her toward the entrance of the tent.'')

'''Daniel:''' Come on.

'''Jonas:''' Get back! Get back!

'''Jennie:''' It's okay.

'''Sarah:''' It's not okay!

'''Carl:''' Let her go. You don't know what you're doing.

'''Jennie:''' Oh Carl, we know what you're doing.

'''Daniel:''' Don't worry. Let's go.

'''Sarah:''' Let go of me! Daniel, stop it!

(''Cut to Daniel still holding Sarah outside the tent.'')

'''Sarah:''' I don't understand. Why are you doing this?

'''Jennie:''' They took Dr. Hart.

'''Emma:''' Listen, Sarah, he was going to the press. But they were there waiting for him. And they took him away and by now he's probably dead. They probably killed him just like they killed Bree.

'''Sarah:''' Okay, no, it's not true. Dr. Hart is in Africa. Okay, he's--

'''Jennie:''' Ask Carl about patient 112, Sarah. Ask him about the discrepancies in the statistics.

'''Sarah:''' It's just not true, okay. Look, you guys just don't understand what it's like to be at peace with yourself. You don't understand what it's like to be at peace with the world because you don't--

(''Emma slaps Sarah across the face.'')

'''Emma:''' Snap out of it!

'''Sarah:''' Don't touch me.

(''Cut to Jennie, Sarah, and Emma in the back seat of a car.'')

'''Jennie:''' Look, Sarah, you know that those people were--

(''Sarah pulls away from Jennie. The camera zooms in on Sarah who looks sad and is clutching the book that Chris gave her. The camera pans to Jonas in the driver's seat who begins to drive away.'')

==Notes==
*Both Jonas and Daniel were wearing a [[cap]] in this video.
*''Finding the One'' is the same book that [[Steve]] gives to [[Kate]] in [[War is Over]].
*The white shirt in this video, worn by Sarah, is similar to the one worn by [[Bree]] in earlier videos.
*There is speculation that Sarah was married to Carl and/or is pregnant.
* Many fans believe that there is a bug on the book because of interference picked up on the audio at the end of the video when Daniel moved the camera toward the book.
* This is the first time that Jennie appears on camera with a main cast member besides Sarah.