LGPedia - User contributions [en]

Hidden Treasures

2008-07-18T22:00:40Z

85.75.50.69:

{{Blog
| name = {{PAGENAME}}
| number = 524
| image = 0524-JonasInHat.JPG
| caption = Channeling [[The Danielbeast]]?
| blogger = Jennie
| date = 20080717
| url = {{lg15|649}}
| forumid = 18074
| length = 3:41
| description = Thanks for working on the code... we've been busy too.
| location = A museum
| tags = {{tags|lonelygirl15|lg15|bree|danielbeast|jonastko|jennie|order|crowley|egypt}}


| execprod =
| serprod =
| pa =
| directors =
| story =
| vidplay =
| camera =
| editor =
| music supervisor =
| song =

| cast = {{VidChar|Jennie}}
{{VidChar|Jonas}}

| Previous = Handcuffed
| Next = I'm Back!!!!
| PreviousB = Eclipse of the Heart
| NextB =
}}

==Transcript==
(''The scene opens with a shot of a large wooden door closing. Outside, a tall sign that reads MUSEUM can be seen. Jennie turns the camera to herself''.)

'''Jennie:''' So, that Lucy is one crazy bitch. Okay? She's [[Handcuffed|gone]]. Just (''makes a pop noise with her mouth''). Disappeared into thin air. Jonas swears she was dead. He's pretty dumbfounded by the whole thing. I mean, you know, who wouldn't be? At least we got the microchip back. Oh, and speaking of which, Jonas and I decided to do a little exploring at the location that Taylor found on the microchip. This museum. You know, the blueprints she gave us lead to a small room buried at the back of the building so, we're just-

'''Jonas:''' (''in the background'') Jennie!

'''Jennie:''' Yeah. (''Turns the camera to Jonas, who is in a dark doorway'')

'''Jonas:''' Come on!

'''Jennie:''' Okay.

'''Jonas:''' Come on!

'''Jennie:''' Let's go.

(''Jennie follows Jonas down a dimly lit hall with a objects encased in glass cases in the walls''.)

'''Jennie:''' Creepy. (''Pans camera to a strange object'') Jonas, look at this!

'''Jonas:''' Come on, this way!

'''Jennie:''' What is that?

'''Jonas:''' I don't know. Let's go.

(''Jennie and Jonas walk down a flight of stairs which leads to a dimly lit room with more objects in glass cases in the walls. They walk through the room to another which has documents framed all over the walls. Jonas takes a look at the documents and walks out. The camera pans to a strange metal contraption in a glass case and Jennie is seen making a face at it. Jennie walks down a few more hallways, passing various objects along the way, until she catches up with Jonas in a room full of various trinkets. She walks in and surveys some objects, namely a portrait of a young woman behind a harp. She gently strokes the harp and walks over to a bust of a man''.)

'''Jennie:''' (''to herself'') Who is that?

'''Jonas:''' Jennie! (''Pops out from another portion of the room'')

'''Jennie:''' (''frightened'') What!? What? Jeez.

'''Jonas:''' Oh, sorry. Look what I found in the store room. (''The camera pans to an old suitcase''.) Check out the name. (''Points to the name written on the suitcase'')

'''Jennie:''' [[George Kiel]]?

'''Jonas:''' George Kiel, yeah. And I found dozens of others, all with the [[The Resistance|Resistance]] names on it. This thing is filled with journals and artifacts that all relate back to [[The Order]]. This must have been their life's work.

(''Jonas opens the suitcase and Jennie surveys the contents, which includes photos, documents, and various items''.)

'''Jonas:''' All right, so here's what we've learned. The papers we found pieced together the origins of The Order and it looks like everything dates back to the [[The Order|Order of Denderah]].

'''Jennie:''' Now, [[Denderah]] was an ancient Egyptian city built on the site of, um, (''struggles to pronounce the name'') Ta-ynt-netert. (''Jonas and Jennie laugh'') I don't know how to say it but what it means is "She of the divine pillar." Resistance members discovered an ancient Egyptian lore, one that talked about a fountain of youth, one that could grant eternal life.

'''Jonas:''' That's right, but they weren't referencing a- a- a real fountain. They were referencing a woman (''puts hat from suitcase on'') who is-

'''Jennie:''' Cute.

'''Jonas:''' Thank you, it's George's hat. They were referencing, uh, this woman who was believed to have descended from the fertility goddess Hathor. (''Looks at Jennie'') Right?

'''Jennie:''' Yes. Hathor.

'''Jonas:''' Hathor.

'''Jennie:''' Um, now, Hathor's daughter gave birth to twenty girls and the bloodline was considered holy. Now get this: in the twentieth century, scientists discovered a living descendant. A woman who lived to be a hundred and fifteen years old. Her DNA carried a regenerative gene.

'''Jonas:''' Which means, and this is huge, (''Jonas takes his hat off. Jennie giggles''.) all the [[Trait Positive|trait positive]] girls that The Order is looking for, they all have to be traced back to one of these twenty girls. Oh, and guess... guess what else had an interest in Egypt? (''Points to a hieroglyph in George's suitcase'')

'''Jennie:''' Yeah.

'''Jonas:''' Show it.

'''Jennie:''' (''Pulls out a picture of a man'') This guy!

'''Jonas:''' That's right. You guessed it. [[Aleister Crowley]]. In fact, he took an expedition to Egypt where he uncovered some hieroglyphics in the tomb of Hathor's, uh, descendant.

'''Jennie:''' Yeah. That's it.

'''Jonas:''' And those hieroglyphics, they taught him the secrets of the trait positive girls. (''Pans camera to the hieroglyphics'') And from there he tracked them down and he exploited them for his own purposes. (''Pans camera over pictures of the girls'')

'''Jennie:''' It's just really weird. Jonas and I are gonna keep digging through the past 'cause it might be the only way to save our future.

==Notes==
* Jackson seems to have an accept slip when saying the word "fertility."

Hidden Treasures

2008-07-18T21:59:08Z

85.75.50.69:

{{Blog
| name = {{PAGENAME}}
| number = 524
| image = 0524-JonasInHat.JPG
| caption = Channeling [[The Danielbeast]]?
| blogger = Jennie
| date = 20080717
| url = {{lg15|649}}
| forumid = 18074
| length = 3:41
| description = Thanks for working on the code... we've been busy too.
| location = A museum
| tags = {{tags|lonelygirl15|lg15|bree|danielbeast|jonastko|jennie|order|crowley|egypt}}


| execprod =
| serprod =
| pa =
| directors =
| story =
| vidplay =
| camera =
| editor =
| music supervisor =
| song =

| cast = {{VidChar|Jennie}}
{{VidChar|Jonas}}

| Previous = Handcuffed
| Next = I'm Back!!!
| PreviousB = Eclipse of the Heart
| NextB =
}}

==Transcript==
(''The scene opens with a shot of a large wooden door closing. Outside, a tall sign that reads MUSEUM can be seen. Jennie turns the camera to herself''.)

'''Jennie:''' So, that Lucy is one crazy bitch. Okay? She's [[Handcuffed|gone]]. Just (''makes a pop noise with her mouth''). Disappeared into thin air. Jonas swears she was dead. He's pretty dumbfounded by the whole thing. I mean, you know, who wouldn't be? At least we got the microchip back. Oh, and speaking of which, Jonas and I decided to do a little exploring at the location that Taylor found on the microchip. This museum. You know, the blueprints she gave us lead to a small room buried at the back of the building so, we're just-

'''Jonas:''' (''in the background'') Jennie!

'''Jennie:''' Yeah. (''Turns the camera to Jonas, who is in a dark doorway'')

'''Jonas:''' Come on!

'''Jennie:''' Okay.

'''Jonas:''' Come on!

'''Jennie:''' Let's go.

(''Jennie follows Jonas down a dimly lit hall with a objects encased in glass cases in the walls''.)

'''Jennie:''' Creepy. (''Pans camera to a strange object'') Jonas, look at this!

'''Jonas:''' Come on, this way!

'''Jennie:''' What is that?

'''Jonas:''' I don't know. Let's go.

(''Jennie and Jonas walk down a flight of stairs which leads to a dimly lit room with more objects in glass cases in the walls. They walk through the room to another which has documents framed all over the walls. Jonas takes a look at the documents and walks out. The camera pans to a strange metal contraption in a glass case and Jennie is seen making a face at it. Jennie walks down a few more hallways, passing various objects along the way, until she catches up with Jonas in a room full of various trinkets. She walks in and surveys some objects, namely a portrait of a young woman behind a harp. She gently strokes the harp and walks over to a bust of a man''.)

'''Jennie:''' (''to herself'') Who is that?

'''Jonas:''' Jennie! (''Pops out from another portion of the room'')

'''Jennie:''' (''frightened'') What!? What? Jeez.

'''Jonas:''' Oh, sorry. Look what I found in the store room. (''The camera pans to an old suitcase''.) Check out the name. (''Points to the name written on the suitcase'')

'''Jennie:''' [[George Kiel]]?

'''Jonas:''' George Kiel, yeah. And I found dozens of others, all with the [[The Resistance|Resistance]] names on it. This thing is filled with journals and artifacts that all relate back to [[The Order]]. This must have been their life's work.

(''Jonas opens the suitcase and Jennie surveys the contents, which includes photos, documents, and various items''.)

'''Jonas:''' All right, so here's what we've learned. The papers we found pieced together the origins of The Order and it looks like everything dates back to the [[The Order|Order of Denderah]].

'''Jennie:''' Now, [[Denderah]] was an ancient Egyptian city built on the site of, um, (''struggles to pronounce the name'') Ta-ynt-netert. (''Jonas and Jennie laugh'') I don't know how to say it but what it means is "She of the divine pillar." Resistance members discovered an ancient Egyptian lore, one that talked about a fountain of youth, one that could grant eternal life.

'''Jonas:''' That's right, but they weren't referencing a- a- a real fountain. They were referencing a woman (''puts hat from suitcase on'') who is-

'''Jennie:''' Cute.

'''Jonas:''' Thank you, it's George's hat. They were referencing, uh, this woman who was believed to have descended from the fertility goddess Hathor. (''Looks at Jennie'') Right?

'''Jennie:''' Yes. Hathor.

'''Jonas:''' Hathor.

'''Jennie:''' Um, now, Hathor's daughter gave birth to twenty girls and the bloodline was considered holy. Now get this: in the twentieth century, scientists discovered a living descendant. A woman who lived to be a hundred and fifteen years old. Her DNA carried a regenerative gene.

'''Jonas:''' Which means, and this is huge, (''Jonas takes his hat off. Jennie giggles''.) all the [[Trait Positive|trait positive]] girls that The Order is looking for, they all have to be traced back to one of these twenty girls. Oh, and guess... guess what else had an interest in Egypt? (''Points to a hieroglyph in George's suitcase'')

'''Jennie:''' Yeah.

'''Jonas:''' Show it.

'''Jennie:''' (''Pulls out a picture of a man'') This guy!

'''Jonas:''' That's right. You guessed it. [[Aleister Crowley]]. In fact, he took an expedition to Egypt where he uncovered some hieroglyphics in the tomb of Hathor's, uh, descendant.

'''Jennie:''' Yeah. That's it.

'''Jonas:''' And those hieroglyphics, they taught him the secrets of the trait positive girls. (''Pans camera to the hieroglyphics'') And from there he tracked them down and he exploited them for his own purposes. (''Pans camera over pictures of the girls'')

'''Jennie:''' It's just really weird. Jonas and I are gonna keep digging through the past 'cause it might be the only way to save our future.

==Notes==
* Jackson seems to have an accept slip when saying the word "fertility."

Breaking Up?

2008-06-30T20:59:39Z

85.75.27.54:

{{Blog
| name = Breaking Up?
| number = 511
| image = 0511-JonasAndJennieFighting.JPG
| caption = Instead of fighting The Order, let's fight with each other!
| blogger = Jennie
| date = 20080627
| url = {{lg15|634}}
| forumid = 17835
| length = 4:42
| description = Is this the end?
| location = [[The rented house]]
| tags = {{tags|lonelygirl15|lg15|danielbeast|jonastko|jonas|jennie|breaking up}}


| execprod = Miles Beckett, Greg Goodfried, and Amanda Goodfried
| serprod = Amanda Goodfried
| pa = Jenni Powell
| directors = Marcello Daciano
| story = Tom Pettit, Blair Singer, Jim Campolongo, and Amanda Goodfried
| vidplay = Jim Campolongo
| camera = Kevin Schlanser
| editor = Kevin Schlanser
| music supervisor = Seth Jacobs
| song = "Broken" by Warner Drive

| cast = {{VidChar|Jennie}}
{{VidChar|Daniel}}
{{VidChar|Sarah}}
{{VidChar|Jonas}}

| Previous = I Have A Confession
| Next = Born Free
| PreviousB = Words of Wisdom
| NextB =
}}

==Transcript==
(''Jennie is seen walking quickly out of the back door. She sets a white mug down on the ground in front of a white wicker couch and takes a seat''.)

'''Jennie:''' (''Sigh'') Emma's [[I Have A Confession|gone]]. She left this morning. Jonas dropped her off at the airport after we all said our goodbyes. It was hard. You know, leaving was her choice and truthfully, I think it was the right one. I haven't told anybody this but... I envy her. Going back to school and being normal. Well, it's something that Emma's never had and it's important that she experience it. And Jonas ''is'' dealing with her decision even if he doesn't wanna talk about it.

(''Cut to Jennie from a floor angle. She removes her hand from the lens and takes a sip of her drink''.)

'''Jennie:''' He barely talks to me about anything anymore. I mean, after all of our nonstop fighting, he's completely shut down and (''throws hands up'') really? I'm close to doing the same. (''Holds head in hand'') Fuck. ('''OR LOOK?''') There's a give and take when it comes to relationships. They're not easy, you know? Every moment isn't gonna be bliss, I get that. But every moment shouldn't be contentious either. But all he used to talk about was moving on. That's ''why'' he went to [[LA To LDN|London]]. I don't think I believe him anymore.

(''Cut to a frontal view of Jennie holding her mug''.)

'''Jennie:''' My dad had this thing that he used to say. Whenever I'd get hurt or teased at school, he'd say, (''imitating her dad'') "Jennie, remember, it could always be worse." Here I am troubling you with my boy problems when Gina's gone forever. I mean how does that even compare? She went through so much, just being this... perpetual lab rat. And through it all, she kept her spirit. I mean, it comes through in her art. And speaking of which, thanks to you guys at [[LG15.com]], we were able to see through her drawings to see that Gina knew what she was doing. She was leaving us clues.

'''Daniel:''' (''voice over a shot of Jennie'') I can't believe this, but (''cut to Daniel's assigned drawing'') those (''cut to Daniel'') must have been the instruments used on Gina during the [[Hart Study]].

'''Sarah:''' And she was [[Patient #11]] so this must have been her room. (''Pan down to Sarah's assigned drawing'') But, who are these two other girls? You know, they look (''pan back to Sarah'') so young. I mean, at least Gina was there for them, right?

'''Jennie:''' This one is difficult to talk about. (''Turns camera to Gina's first drawing'') It's a series of cribs with dates and if Gina's drawing is right then they've been operating this facility for many years. I mean, it's possible that all [[trait positive]] babies were sent here before being placed in a home.

'''Jonas:''' And this last one here is of Gina and [[Dr. Hart]] walking through a park. It's called (''points to sign in drawing'') Reinland Park. I guess Gina knew more than she let on. See, Reinland Park is in La Crete, as in the same location on [[Lucy's apartment|Lucy's computer]] and from the [[bunker]]. Yeah, at least we know what [[The Order]]'s doing there. It's their science lab.

'''Sarah:''' Yeah, but why would she keep all this a secret?

'''Daniel:''' Because she knew we'd want to go there. Gina knew that we'd wanna visit the one place that she feared the most.

'''Jonas:''' All right, then what are we waiting for, huh?

'''Jennie:''' (''Roughly places camera on table so that the shot is now of Sarah and Daniel's lower halves'') Oh, you can't be serious!

'''Jonas:''' Oh God.

(''Sarah pulls Daniel away from the fight'')

'''Jennie:''' What?

'''Jonas:''' Here we go again!

'''Jennie:''' You know what, Jonas? This is ridiculous. Okay? This is ridiculous. You need to listen to me!

'''Jonas:''' Yeah? You need to stop telling me what to do!

'''Jennie:''' Oh, you think I (''throws arms up'') ''like'' playing the Jonas Whisperer every time you get upset? Which is a lot, by the way.

'''Jonas:''' Yeah? Great. You know what? At least I get things done! Cause if it were up to you, we'd be writing term papers into an early grave.

'''Jennie:''' Oh, that is nice. What, is this because Emma left?

'''Jonas:''' No! It's because you're over-thinking things, like always!

'''Jennie:''' Okay, if you keep talking like that we are ''through''. I swear to God!

'''Jonas:''' Oh yeah? Well that's been a long time coming, Jennie, and you know it. You know, just like you know ''everything'', don't you?

'''Jennie:''' (''Throws something on the table'') We're through. (''Walks out of the front door'')

'''Jonas:''' (''Sighs'') (''Walks over to the table and grabs the chair'') Good.

'''Daniel:''' (''Coming from another room'') Oh. Jonas, what was that all about?

'''Jonas:''' You know what? I'm outta here, Beast.

'''Daniel:''' You're leaving?

'''Jonas:''' Yeah.

'''Daniel:''' Please don't tell me you're ok. Come on.

'''Jonas:''' No. (''Walks away'') I'm going to find out answers about La Crete.

'''Daniel:''' Hey, what do you want me to tell Jennie when she gets back?

'''Jonas:''' Tell her I'm sorry. I gotta go. (''Walks out'')

'''Daniel:''' You're sorry... (''nods and walks away'')

(''Cut to Jennie back in the house'')

'''Jennie:''' Sorry doesn't cut it, Jonas. Not anymore. But you know what? Hey, thanks for the stamps. Now I can finally get those grad school applications out. (''Looks down and then looks back at the camera'')

==Notes==
*With Emma leaving prior to this video, this marks the first time since Bree's death that a Trait Positive girl is not included in the main cast.